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7.12.2007

Silverchair Interview

When someone mentions the band Silverchair, your first thought or memory will vary depending on where you're from. People in the U.S. and Europe may only remember Silverchair as a few kids who skyrocketed to stardom in 1994 after their first album, Frogstomp. Thanks to such hit songs as "Tomorrow" and "Israel's Son," the Australian trio, consisting of singer/guitarist/songwriter Daniel Johns, drummer Ben Gillies and bass player Chris Joannou, became international superstars when they were only fifteen years old.

Since 1994, the last decade has been a mix of trying tests and triumphs for Silverchair. Battles with extreme fame at an early age, an eating disorder, and a case of reactive arthritis kept the band mostly grounded in their home continent Australia. But despite these setbacks, Silverchair managed to pass the time by repeatedly making hit records and racking up more #1 albums than any other Aussie band including AC/DC, Midnight Oil and INXS.


Silverchair's latest album, Young Modern, is their first new record in 6 years, and the tour supporting it will be their first U.S. tour in over a decade. Even though Silverchair was in the middle of launching their U.S. tour, Daniel Johns and Chris Joannou found a little time to do a quick interview with MethodShop.com. They were humble, candid and even funny. Enjoy...

Interview: Silverchair (Young Modern)




BeSocial: digg story | methodshop

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Pimpin' Thoughts:


I have been a silverchair fan for many years. Frogstomp was an impressive grunge/rock album being that the members were in their early teens. Freakshow showed a little more musical growth which isn't that suprising due to the fact that they got older. Neon Ballroom was really the turning point. They had grown leaps and bounds with the album and the results were nothing short of excellence. When Diorama came, many long time fans turned the other way not open to the drastic change in sound which was hinted at on Neon Ballroom. Diorama, is an incredible album and in my opinion stands as their most focused and awe inspiring album the band has released. A half a decade since Diorama, we now have Young Modern. I have been anticipating this album for a long time and I knew I would be setting myself up for dissapointment with the incredibly high expectations I had. On first listen, the album didn't grab me the way I had hoped. When I first heard the single "Straight Lines" I loved it. I had carried that feeling into the rest of the album but found myself confused with what I was hearing. To be honest the album seems all over the place. There are a few moments of genius permeating the album, but mostly it just sounds like they tried too much. I really wanted to love this album, and being that I can't force myself to like it just because it's by one of my favorite bands I will say that after five straight listens all the way through, I'm not a fan of Young Modern. It saddens me to say such a thing, but it's true. To the fans who love this album, cool, glad you like it? I wonder though, if I'm simply not getting it. Or maybe just maybe, it's not good. I don't know. but the interview was great.
 



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